The Seoul gallery Blackmarket recently created a blacklight print of a photo by Seoul-based cyberpunk photographer Noe Alonzo. This 3-minute behind-the-scenes video shows how the print is made using screenprinting.
For the lengthy printing process, Blackmarket uses ultraviolet powders and mixes them into a clear oil-based ink as a replacement for basic CMYK.
Using 250GSM matte-black softboard, the printer works from lightest to darkest layers in this ink order: white base, bright yellow, magenta, cyan, white highlights, and finally rich black.
200 mesh screens are used to capture fine details, so the liquids (which are mixed with a slow drying agent) need to be mixed just right to pass through the screen at the correct volumes.
The resulting prints look normal under normal light…
…but view them with UV lighting and the photo comes to life with a gorgeous glow:
“It is a great photography printing idea if you are stuck in a creative rut,” Alonzo says.
Every photographer — every photographer — ought to print their work at least once. But if you want to do it more regularly, what’s the best option? Should you buy a proper photo printer, or keep paying printing companies to do it?
When I started freelancing as a professional photographer, I knew I had to put together a printed portfolio. Unfortunately, I found it very hard to find useful resources on the Internet on how to actually do this. As I had some experience in bookbinding I managed to bind my first book by myself, but after three books I realized that in this stage of my career, I needed to have something a little more flexible.
I was aware of books that worked with book screws, but I always thought they don’t open that well and I disliked the look of the screws going through the cover. After some research, I found some books that hid the screws behind the cover, and I realized that this will also help the whole opening mechanism. As I didn’t want a standardized book, I decided to create one myself.
In the interest of sharing, I filmed the creation of my latest book and put together a tutorial.
To follow this tutorial, you’ll need:
cutting machine (or a box cutter)
The book consists of a cover and a body, which function according to the same principle: gluing three cardboard elements to some bookbinding linen to create a hinge. After completing the two parts, they can simply be glued together, and the pages can be printed and added to the book. For a full, step-by-step breakdown, check out the video up top and follow along.
The process is pretty easy, and I’m certain that if you’re a little handy, you can create your own portfolio as well!
If you have any questions, feel free to hit me up on Instagram.
About the author: Nicola Tröhler is a photographer and director based in switzerland. You can find more of his work on his website, or by following him on Instagram.
Every Sunday, we bring together a collection of easy reading articles from analytical to how-to to photo-features in no particular order that did not make our regular daily coverage. Enjoy!
The Detrimental Impact of Proposed Governmental Drone Policies on Newsgathering – The National Press Photographers Association The past decade has seen several waves of ill-conceived and sometimes outlandish policy proposals attempting to limit drone use under false pretenses of safety and privacy. Civilian uses were stymied by the connection of the word “drones” to armed military predators, fear of spying on everyone’s backyard, followed by the dread that drones would hit and bring down an airliner. The latest apprehension is over “cybersecurity,” fueled by trade disagreements with China. This has placed unacceptable new limits on how journalists gather news. In fact, journalists supported by NPPA are suing to overturn a statute in Texas that restricts certain kinds of drone photography on First Amendment grounds.
Notable:It’s perplexing why Chinese-made drones are considered such a security risk while phones, laptops, tablets, monitors, or other electronic devices made in China and capable of data collection/transmission are not.
iPhone Photography: How to Take Dreamy Long Exposure Photos with Your iPhone Camera– CNET Most iPhones can take stunning long exposure photos without any extra apps or equipment. It uses Live Photos, a feature that turns a still image into a short animation by recording a few seconds–1.5 seconds before and after taking a picture–of video when you fire the shutter. By analyzing which objects are moving, the iPhone captures the movement and blurs it. It’s a brilliant method because it lets you capture long exposure images in even bright mid-day sun without using a tripod or filter. Take that, pro-cameras.
Quiz: The ultra-wide lens (which Apple calls 0.5x) on the iPhone 11 Pro Max has a focal length of 1.54 mm, f/2.4 and has a diagonal angle of view of 120°. What is its equivalent focal length in full-frame, 35mm terms? 13mm.
Notable:In these days of copyright infringement battles,Eric Kim might be one of few photographers who has announced since 2013, “all my stuff [on the website] is open source.” This means that anybody is free to use any of his photos, videos, articles and re-post without permission. I cannot figure out whether this is good or bad for the photographic community in general but would love to hear your pros and cons in the comments below.
How Did Anaesthesiologist Dr. Roger Cicala, MD Become LensRentals.com?
In one (actually two) word—Buyer’s Remorse. Dr. Cicala was going on an Alaskan cruise in 2005 and bought a 500mm/f4 to shoot wildlife and whales. When Doc came home, he “had massive buyer’s remorse at paying the astronomical sum of maybe $5,500.” Cicala put it out on rental along with the rest of his gear. It did so well that he bought more gear and put it on his rental webpage. “…and within a couple of months, it spiraled out of control. It was an accidental thing. Within a couple of years, I left medicine and did this full time,” he recollects on the birth of LensRentals. I wish I had done the same back in the day with my Nikon 500mm f/8 mirror lens, which rarely could be coaxed to make a good image with 100 ISO Ektachrome.
Sky Replacement in Photoshop and Luminar: Which Is Easier? – Fstoppers For about a year, Skylum has been the leader in sky replacement with Luminar 4, but now Adobe has the same feature in Photoshop 2021. So, which one is better? Nando Harmsen: At first sight, you may think Luminar offers a much easier method of replacing the sky. You can transfer an image from Lightroom into Luminar, replace the sky, and return to Lightroom again. After trying Luminar a couple of times, I went back to Photoshop for replacing the sky. I find it much more flexible and easier to correct compared to Luminar. That is when I started to wonder if the sky replacement tool of Luminar is really that much precise and quicker. Mel Martin: Normally, I’d call it a day and declare Photoshop the winner, but it’s not that simple. Both software programs have sliders to spread the new sky color on the landscape, making it a better integration between the original image and the new sky. Neither Photoshop nor Luminar does water reflections yet. In both cases, you’ll have to manually insert them into bodies of water by making a new layer and creating a mask. However, Luminar has announced its new Luminar AI update shipping late this year will do sky reflections in water, and that’s a pretty big deal when you need it. Which one do you like? Let us know in the comments below.
Quiz:Which of the two programs allows sky replacement with batches of multiple files? Photoshop 2021.
Why the iPhone 12 Pro Max is Apple’s First Serious Attack on Mirrorless Cameras– TechRadar At Apple’s announcement, bombs were dropped left and right: the A14 Bionic chip for extra computational power, a new photo format called Apple ProRaw, a Lidar-boosted autofocus system, 10-bit Dolby Vision HDR video, to name a few. The iPhone 12 Pro Max flagship, which is more camera than phone, has two crucial things that you can’t get on the standard iPhone 12 Pro: a main ‘wide’ camera sensor that’s 47% bigger than its sibling’s chip, and sensor-shift stabilization. There are advances in videography, too, with the ability to shoot 10-bit HDR video, which is something that’s only recently been embraced by mirrorless cameras. The presence of Dolby Vision HDR – a Netflix’s choice for its TV and films — recording on the iPhone 12 Pro Max shows how much this phone is stepping into the realm of video-centric cameras.
Notable: Firstly, while the iPhone 12 Pro Max’s pixels at 1.7-microns are the largest in an Apple phone, they’re not the biggest we’ve seen in smartphones and are significantly smaller than the 8.4-micron pixels found on a full-frame sensor. Secondly, the Pro Max’s sensor-shift stabilization, while an important development for phones, is only a two-axis anti-shake affair, rather than the significantly more advanced five-axis stabilization seen in cameras like the Canon EOS R5 and Fujifilm X-S10.
Top 21 Photoshop 2021 New Features in 21 Mins! Photoshop (Version 22.0) has a ton of new features like Sky Replacement, Neural Filters, Refine Hair Selection and more. These massive updates are based on Adobe’s Sensei AI machine learning technology. The easiest way to get introduced to these new features is to watch Umesh Dinda of PiXimperfect, as he takes you through the top 21 features in 21 minutes.
New Faces in Contemporary African Portraiture – in Pictures– The Guardian Portr-8, the inaugural exhibition of the contemporary African photography gallery Doyle Wham, showcases innovative and experimental portraits by eight new African artists at ECAD in south London. The artists from Gabon, Nigeria, Namibia, Kenya and Mozambique, are united by a desire to challenge traditional ideas and narrow interpretations of Africa, African art, and African society
The 5 Best Photo Printing Services– Wired Suburban America used to contain roughly a single 1-hour photo lab for every five hundred people. In fact, there were even two Wolf Camera stores in a single mall! Then came the digital camera, and suddenly there was no film to develop, no kiosks, and no photo printing options. Now, in place of the 1-hour-photo booths, there are endless online printing services, most of which produce far better results than the kiosks ever did, but some are pretty awful. Here are some places to go to and some to avoid. Yes, a RAW file taken by a full-frame camera with a good lens is going to print better than anything you get from your phone. But as long as your phone has a decent camera, you’re not really going to notice a huge difference in a 4 x 6 print. Even at 5 x 7, you’re going to be fine. This reviewer found the best quality coming from Adorama’s Printique service, formerly called Adoramapix.
Dana Clark, and her son 18 month old Mason, wait in line at City Hall as early voting begins in New Orleans, Louisiana. Dana said she wasn’t sure how many people would be wearing masks while they voted so she wanted to be safe. Photo by @kathphotopic.twitter.com/2BuAtVSeMo
X-Trans sensor offers the best image quality of any APS-C camera
In-camera film simulation modes are the best of any brand
Solid autofocus performance
Rugged build quality
Best Fuji ergonomics yet
USB-C charging and direct power
Single SD card slot
AF point control joystick is the same tiny, smooth button
USB-C port used for the headphone jack
Quote of the Week (or a Previous Week):“The camera records the imagery, but it does not create the image. Light creates the image.” — Jay P. Morgan
We welcome comments as well as suggestions. As we cannot possibly cover each and every source, if you see something interesting in your reading or local newspaper anywhere in the world, kindly forward the link to us here. ALL messages will be personally acknowledged.
About the author: Phil Mistry is a photographer and teacher based in Atlanta, GA. He started one of the first digital camera classes in New York City at The International Center of Photography in the 90s. He was the director and teacher for Sony/Popular Photography magazine’s Digital Days Workshops. You can reach him via email here.
Image credits: All photographs as credited and used with permission from the photographers or agencies.
Audience: a broad term, of course. Evokes all kinds of responses. Since this is a photoblog I am referencing the audience that sees our work. In this very odd and terrible of times, I find that having no audience for my photographs is very difficult.
In my teaching, I always told students that photography was a process of communication. That making photographs but having no one see them was missing a critical part, the follow-through if you will. But here we are in a time where there is no one to see our work. Yes, I know, there is online and remote, “virtual.” But, really. In no way is that real, in no way can I expect anyone to get my imagery on a screen.
What present-day photography is capable of is a far cry from what we see on our screens, be it 30 inches on a high-end monitor or 2 inches on a phone.
As a career artist and exhibitor, I find it hard to find my sense of purpose. Make a picture: what for? I know, for myself as that is what drives me, my need to make work. True. I am doing that. But having other eyes see it, as a physical thing, in a portfolio, on a wall or in a book is what completes it. Not for praise or only to purchase, just to see it.
After all, I’ve made the photograph in the first place to share an insight, to put out a perception or something I believe is worth communicating; be it beauty, irony, texture, depth, my aesthetic, perspective, a comparison, empathy, tranquility, chaos, solitude, humor, quality of light and so on. The craft of the thing is important to me too, what materials I have chosen and what decisions I have made in terms of tonalities and contrast and yes, the size of the print.
Combine all this with the inability to travel and I find myself effectively shut down. For many years I have been, for the most part, an artist dependent on travel to make my work. Since I can’t fly (or won’t: no way am I sitting in a metal tube for hours with strangers breathing each other’s air) I am stuck watching the hours and days slide by, my life clock ticking, wondering if our world will ever go back to some semblance of what it was before. I know: wait, be patient. I definitely understand “COVID fatigue.”
So here we are today in this country finding ourselves in deep sh*t: increasing numbers of cases of COVID, a staggering number of deaths, a massively disturbed president who could be re-elected in a couple of weeks, and no vaccine right around the corner. I know: hang in there. And I will, as will you. Hard times.
Stay strong, try to stay healthy, and let’s hope we all see each other on the other side.
About the author: Neal Rantoul is a career artist and educator. After 10 years teaching at Harvard and 30 years as head of the Photo Program at Northeastern University in Boston, he retired from teaching in 2012. You can find out more about him or see his photographic work by visiting his website or purchasing his new book. The opinions expressed in this article are solely those of its author. This article was also published here.
Back in March, Globe Newswire reported that the global facemask market is expected to reach $21.2 billion in sales by 2026. For many photographers, this represents an opportunity to try out a new revenue stream as other sources of income dry up. So, how do you get started selling face masks featuring your photos? We’ll take a look at a few vendors on the market.
Polaroid recently launched its “next generation portable printer” designed to work wirelessly with smartphones, producing prints that offer decent quality and won’t fade. How good is it, and does it merit $100 for the printer and up to $0.85 per print?